“I SUED THEM TWICE!!!” SPECIAL ED BREAKDOWNS LEGAL BATTLE & STREAMING COMPANIES TAKING FROM ARTIST │ TWICE動画まとめ速報！

コメント（9件）

@mrkbutter より:

12月 15, 2023 3:37 am

Special Ed and D.Dot gave Math some of the Best Dialogue of 2023 in ALL OF PODCASTING
@knockriobeats より:

12月 15, 2023 3:37 am

Niggas is living in the 3rd century. Why would you exclude your music from the place where 90+% of the listeners are? How you gonna get your music discovered without being on what is today’s radio? Rap wasn’t even played on radio like that back in the 80s. It was maybe an hour on urban radio on Friday night. So the royalties wasn’t like that. DSPs are just a place to get heard. From there you can sync music, sell hard copies, point people to your website or app, book shows. People want to get rich off streaming just because it exists. That’s a lazy mentality and short-sighted. You still gotta do the rest of the work. And its letting you own the music 100%. Back then you had to get a label deal to get distribuition, so you was coming off your name, your likeness, your publishing and getting a fraction. Why not play the game for 100% ownership? You was already playing it for like 15%.
@MrJ1S より:

12月 15, 2023 3:37 am

Nobody is gonna visit a different website for each artist…habe 30 diff subscriptions….when u can go to 1 place with 1 subscription for everyone and discover new//old music there too. And only really big artists like a kanye can pull that off anyway.

I’d like to see a big artist not renew their label deal and go indie while getting streams. This way their 0.003 per stream isn’t gettin cut in half
@LooknForAPlate より:

12月 15, 2023 3:37 am

What he is saying

Is like staying indie or going too a record label .. too me m
@skoolhitdabutton より:

12月 15, 2023 3:37 am

#touchyourmusic……
@NORBZMUSIC より:

12月 15, 2023 3:37 am

The game was always rigged, selling your own CD’s out of your trunk is still the hustle to keep it all and not worry about online competition/dilution. However, online is an uncapped no ceiling market if you’re savvy and know how to work within the rig. In short, start your own label (nothing more than an LLC/INC/SP with a name), now launch yourself as 10-50 artists under that label in any genres you’re good at, you can be faceless or a beat channel or a genre based artist name, and split test your paths to success fast. I know many quiet music millionaires that don’t have any socials or a ONE brand timeless success basket, you can operate as a hybrid artist/producer/label and keep it all and scale at levels you could never before.
@rondz1234 より:

12月 15, 2023 3:37 am

GTA 3
@wymgmt より:

12月 15, 2023 3:37 am

To answer that question math is Tory lanez
@RashaunEatOreos より:

12月 15, 2023 3:37 am

Theres a few indy artist with their own site people buy from
Prof
Daylyt
Dizzy wright

“I SUED THEM TWICE!!!” SPECIAL ED BREAKDOWNS LEGAL BATTLE & STREAMING COMPANIES TAKING FROM ARTIST

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